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Immersive Art Shows How COVID Misinformation Spread on Twitter

News RoomBy News RoomJune 26, 20252 Mins Read
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This month, Northeastern University professor Albert-László Barabási and his Center for Complex Network Research hosted the Data|Art Symposium Immuncriptive Art Installation at Harvard’s CAM Lab in Cambridge. The symposium, which began in 2024 and is tentatively held on June 11, 2025, featured four immersive art pieces created by student consortium members. These installations visualize the spread of data and networks, providing a unique way for audiences to understand how information and ideas thrive in a world of interconnectedness.

The first piece, titled Barabási-Albert Network, visualizes Barabási’s model of how networks grow over time. It uses red, orange, and blue hues to symbolize distributions moving across a stable butering room, symbolizing the uneven progression of digital information. The second piece, Neural Networks, depict physical networks, such as the human body’s nervous system. Though in a straight line, these networks often adjust when the number of connections increases, causing detours due to crowding or overhead. The third piece, Hot Lines, shows how networks in our lives don’t always connect in a simple line but do so at times, even becoming indirect due to saturation or complexity.

The final piece integrates persistent fake news from the COVID-19 pandemic into a Travel Time Visualization, titled X. It projected how information spreads through Twitter, connecting fake stories with the physical act of traveling. This immersive experience demonstrated how developers often inadvertently design artifacts that dissect what they seek, both literally and metaphorically.

Running from 9–10 p.m. to 25% before opening, the symposium provided a space for interaction. Audience members reflected on the intersection of technology and human experience, with one attendee teasing Barabási about his fear of being seen as a "contributor to the The scandal".

The exhibit invited questions and reflections, with discussions featuring adjunct assistant professor of information design Dr. Refik Anadol and professor of network science David Lazer. Dr. An oluş health secretary reflected on the key figures responsible for COVID misinformation, highlighting the struggle to find a balance between transparency and inauthenticity. Professor Lazer, who dabbled in fake news too, challenged how the symposium mirrors the original crisis.

Even as the exhibit completed its setup, the symposium Portugal had not yet begun. It will take the next six months to fully illuminate the power of art, coding, and collaboration to reframe societal realities. Barabási’s exploration of data networking while acknowledging its neuro #(Remaining words.. như)

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