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Disinformation

The second LASAL, international festival of journalism and photography, highlights disinformation

News RoomBy News RoomJune 10, 20264 Mins Read
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The upcoming second edition of the LASAL Mediterranean Festival of Journalism and Photography, taking place in El Masnou from June 11 to 13, arrives at a critical juncture for media consumption. In an era where misinformation spreads with alarming ease and public trust in traditional news outlets is frequently tested, this event serves as a vital bridge between rigorous, on-the-ground reporting and the public. By hosting a series of free, accessible sessions, the festival aims to ground citizens in the realities of our time—from the heartbreaking landscape of the war in Gaza to the existential urgency of the climate crisis—while highlighting the necessity of ethical, high-quality photojournalism.

The festival’s opening evening promises a deeply humanistic start, featuring the acclaimed actor Eduard Fernández. He will share the stage with Dalia and Kayed Hammad, the father-daughter duo who survived the harrowing realities of the war in Gaza. Their story, documented in the award-winning book Menu from Gaza, offers a profoundly intimate look at survival, centered around the simple yet powerful act of cooking amidst conflict. By spotlighting these voices, LASAL isn’t just presenting news; it is cultivating empathy, moving beyond the sterile headlines of the screen to remind us of the real, breathing people who live through the events we often consume as mere digital noise.

Educational outreach remains a pillar of this year’s programming, with specific sessions designed to demystify how media works and how falsehoods are manufactured. The “La Buloteca” workshop, hosted by the Maldita Foundation, will dive into the mechanics of digital hoaxes, teaching attendees how to identify and dismantle disinformation. Similarly, the participation of figures like filmmaker and YouTuber Carles Tamayo, who deals with the intersection of facts and modern media tactics, speaks to the festival’s commitment to equipping the audience with the tools for media literacy. By making these topics public and accessible throughout local venues like Cinema La Calàndria and the shores of Ocata beach, the festival empowers individuals to become discerning observers of the information they encounter.

Global perspectives characterize the festival’s deep dive into the climate crisis, as journalists from across the globe gather for the international panel “Climate as a cross-border story.” Bringing together experts like Rawan Damen, Cecilia Anesi, Supriya Sharma, and Preethi Nallu, the event transcends local boundaries to show how environmental challenges affect every corner of the planet. This focus on long-form, cross-border journalism highlights the importance of collaboration in reporting. It emphasizes that solving modern complex issues requires a shared, factual understanding—an idea further reinforced by the attendance of ARA deputy director Carla Turró and journalist Agus Morales, who will examine the future of how independent print media continues to survive and thrive.

Beyond its panel discussions, the festival serves as a platform for significant literary and photographic contributions that define our era. Notable presentations include the chronicles of the decade-long humanitarian missions of Open Arms, detailed in a new book presented by Òscar Camps, Santi Palacios, and Leopoldo Blume. Additionally, the festival tackles political trends with the presentation of Bukele, the naked king, where journalist Óscar Martínez offers an unflinching look at authoritarianism from his perspective in exile. These sessions are not merely book launches; they are urgent dialogues about power, human rights, and the bravery required to document them, reminding us that journalism often serves as the last defense against injustice.

Finally, the festival thrives by rooting itself in the community of El Masnou, blurring the lines between the professional sphere and public life. By offering workshops like “Pasta para periodistas,” which guides independent creators on funding their vital projects, alongside creative, family-friendly events—such as cyanotype printing and immersive urban photography tours—the festival transforms the town into a living classroom. By the end of these three days, the goal is clear: to foster a renewed appreciation for the craft of storytelling. Whether through a lens or on a printed page, the festival invites us to look closer, question more, and value the hard work of those committed to telling the truth.

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